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The Vampire Chronicles continue with Anne Rice's spellbinding new novel, in which the great vampire Marius returns.
The golden-haired Marius, true Child of the Millennia, once mentor to The Vampire Lestat, always and forever the conscientious foe of the Evil Doer, reveals in his own intense yet inti-
mate voice the secrets of his two-thousand-year existence.
Once a proud Senator in Imperial Rome, kidnapped and made a 'blood god' by the Druids, Marius becomes the embittered protector of Akasha and Enkil, Queen and King of the vampires, in whom the core of the supernatural race resides.
We follow him through his heartbreaking abandonment of the vampire Pandora. Through him we see the fall of pagan Rome to the Emperor Constantine and the horrific sack of the Eternal City itself at the hands of the Visigoths.
Bravely, Marius seeks a new civilization in the midst of glittering Constantinople, only to meet with the blood drinker Eudoxia. We see him ultimately returning to his beloved Italy, where after the horrors of the Black Death, he is restored by the beauty of the Renaissance. We see him become a painter living dangerously
yet happily among mortals, giving his heart to the great Botticelli, to the bewitching courtesan Bianca, and to the mysterious young apprentice Armand.
Moving from Rome to Florence, Venice, and Dresden, and to the English castle of the secret scholarly order of the Talamasca, the novel reaches its dramatic finale in our own time, deep in the jungle where Marius, having told his life story, seeks some measure of justice from the oldest vampires in the world.
Time heals all wounds, unless, of course, you're a vampire. Cuts may heal, burns vanish, limbs reattach, but for the "blood god," the wounds of the heart sometimes stay open and raw for centuries. So it is for Marius, Anne Rice's oft-mentioned and beloved scholar. We've heard parts of his tale in past volumes of the Vampire Chronicles, but never so completely and never from his own lips. In Blood and Gold, Rice mostly (but not entirely) avoids the danger of treading worn ground as she fills out the life and character of Marius the Lonely, the Disenchanted, the Heartsick--a 2,000-year-old vampire "with all the conviction of a mortal man." Plucked from his beloved Rome in the prime of his life and forced into solitude as keeper of the vampire queen and king, Marius has never forgiven the injustice of his mortal death. Thousands of years later, he still seethes over his losses. Immortality for Marius is both a blessing and a curse--he bears "witness to all splendid and beautiful things human," yet is unable to engage in relationships for fear of revealing his burden. New readers to the Chronicles may wish for a more fleshed-out, less introspective hero, but Rice's legions of devoted fans will recognize Blood and Gold for what it is: a love song to Marius the Wanderer, whose story reveals the complexities and limitations of eternal existence. --Daphne Durham
Lueger-1904: Mannheimer Gold · Mailänder Gold · Gold, mosaisches · Photographische Silber-, Gold- und Platinrückstände · Nürnberger Gold · Mosaikgold, Mosaisches Gold · Gold  · Gold  · Flüssiges Gold · Gold, grünes, rotes, weißes u.s.w · Gold, faules · Gold 
Meyers-1905: Rice · Mannheimer Gold · Mailänder Gold · Gold- und Silbergespinste und -Gewebe · Pariser Gold · Nürnberger Gold · Mosaïsches Gold · Gold, grünes · Gold · Coopers Gold · Gold, Mannheimer · Gold, rotes · Gold, Nürnberger · Gold, mosaisches