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Jahn, Otto/W.A. Mozart/Anhang/Beilagen/3. [Musik]

... three different comments on this speech tending to its illustration: and that one comment is written in Greek, the second in Hebrew, and the third ... ... He was also a great master of modulation, and his transitions from one key to another were excessively natural and ...

Volltext Musik: 3.. Jahn, Otto: W.A. Mozart. Band 1, Leipzig: Breitkopf und Härtel, 1856, S. 1.
Pohl, Carl Ferdinand/Joseph Haydn/3. Band/Werke

Pohl, Carl Ferdinand/Joseph Haydn/3. Band/Werke [Musik]

... of Scotland, the proprietor wishes to specify one particular, in which it materially differs from all those which ... ... ; and for the number of the songs being restricted to twenty-five in place of forty, as was originally proposed. Both circumstances are ... ... who has been connected with Music all his life. He has told me one or two stories which may be ...

Volltext Musik: Werke. Pohl, Carl Ferdinand / Botstiber, Hugo: Joseph Haydn. Band 3, Leipzig, Breitkopf & Härtel, 1927..
Nissen, Georg Nikolaus von/Biographie W.A. Mozart's/3. Reise ausser Deutschland nach Paris, London, Holland

Nissen, Georg Nikolaus von/Biographie W.A. Mozart's/3. Reise ausser Deutschland nach Paris, London, Holland [Musik]

... three different comments on this speech tending to its illustration; and that one comment is written in Greek, the second in Hebrew, and the third ... ... He was also a great master of modulation, and his transitions from one key to another were excessively natural ...

Volltext Musik: 3. Reise ausser Deutschland nach Paris, London, Holland. Nissen, Georg Nikolaus von: Biographie W.A. Mozart's. Leipzig: Breitkopf & Härtel, 1828 [Nachdruck Hildesheim, Zürich, New York: Georg Olms, 1991].

Ramann, Lina/Franz Liszt/Zweiter Band/Erste Abtheilung/Drittes Buch/8. London. Hamburg. Kopenhagen. 1841./3. [Musik]

... it, and so excited and enchained his audience, that but one out of twenty, we are sure, were aware that he was playing ... ... As to the rest in a piece of playing one half improvisation, he combined such themes and snatches of his compositions ...

Volltext Musik: 3.. Ramann, Lina: Franz Liszt. Als Künstler und Mensch, Band 2.1, Leipzig: Breitkopf & Härtel, 1887, S. 118-123.
Chrysander, Friedrich/G.F. Händel/2. Band/3. Buch. Zwanzig Jahre bei der italienischen Oper in London/1. Goldne Zeiten. Geschichte der Akademie

Chrysander, Friedrich/G.F. Händel/2. Band/3. Buch. Zwanzig Jahre bei der italienischen Oper in London/1. Goldne Zeiten. Geschichte der Akademie [Musik]

... opera of Julius Cäsar, and I for one. Mr. Leycester sat by me in the front row of the ... ... candidates in the way of fugeing, and one hour was allowed for every one to play upon the four subjects so ... ... we value; and for the Answers, one is so dull, and the other so lewd, we shall ...

Volltext Musik: 1. Goldne Zeiten. Geschichte der Akademie. Chrysander, Friedrich: G.F. Händel. Band 2, Leipzig: Breitkopf & Härtel, 1860.

Chrysander, Friedrich/G.F. Händel/2. Band/3. Buch. Zwanzig Jahre bei der italienischen Oper in London/4. Die ersten öffentlichen Oratorien in London und Oxford [Musik]

... occasions, particularly the Free Masons Health: price 6 d. Twenty four new Country Dances for the year ... ... Call'd to order, the Seconds appear'd in their place, One sam'd for his morals, and one for his face. In half they succeeded, in half they ...

Volltext Musik: 4. Die ersten öffentlichen Oratorien in London und Oxford. Chrysander, Friedrich: G.F. Händel. Band 2, Leipzig: Breitkopf & Härtel, 1860.
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