Jahn, Otto/W.A. Mozart/Anhang/Beilagen/3. [Musik]
... from some of the German musicians resident in London, but could never receive any further information than that he was born near Saltzbourg, till I was ... ... him up for a week, during which he was not permitted to see any one, and was left only with music-paper, and ...
Jahn, Otto/W.A. Mozart/3. Theil/4. Buch/5. [Musik]
5. Der Abbé Maxim. Stadler, ein treuer Freund und Verehrer Mozarts erzählte ... ... feel much pleasure in telling you, that he partakes more of my style than any scholar I ever had, and I predict, that he will prove a sound ...
Pohl, Carl Ferdinand/Joseph Haydn/3. Band/Werke [Musik]
... is such, that they will scarce vouchsafe a hearing to any other. Should any of these ask why Haydn was not employed to do the ... ... small number of the Airs; the other, a larger Collection, but without any introductory and concluding Symphonies to each Air. ...
Chrysander, Friedrich/G.F. Händel/2. Band/Beilagen [Musik]
... without consulting any of his Friends, (if He has any) and declared that at a proper season He would communicate it to ... ... Heat and Dullness are miraculously united. The former prompts him to any thing new and violent; while the latter hinders him from seeing ...
Ramann, Lina/Franz Liszt/Erster Band/Erstes Buch/8. Koncertreisen [Musik]
... Who will respectfully request a written THEMA from any Person present. Song – »A Compir.« – Violin Obligate ... ... likewise perform an EXTEMPORE FANTASIA, and respectfully request Two Written Themes from any the Audience, upon which he will play his Variations. ...
Pohl, Carl Ferdinand/Joseph Haydn/3. Band/Anhang/[Briefe und Schriften] [Musik]
... me, how you do, and if you get any sleep to Night. I am extremely anxious about your health. ... ... have slept well. I shall be very happy to see you on Sunday any time convenient to you after one o'clock. I hope ... ... be very happy to see you my Dearest Haydn any time to morrow after one o'clock if you ...
Thayer, Alexander Wheelock/Ludwig van Beethovens Leben/3. Band/1. Kapitel. Das Jahr 1807 [Musik]
Erstes Kapitel Das Jahr 1807. Fürsten als Theater-Direktion. Subskriptionskonzerte bei Lobkowitz. ... ... allow, after praising very handsomely some of his compositions: ›Are you engaged with any publisher in London?‹ – ›No‹, says he. ›Suppose, then, ...
Chrysander, Friedrich/G.F. Händel/3. Band/4. Buch. Uebergang zum Oratorium/1. Neue Oratorien [Musik]
... 'd, but also affected by it, for I never yet met with any musical Performance, in which the Words and Sentiments were so thoroughly studied, ... ... attentive Audience, it was not large enough I doubt to encourage him in any future Attempt. As I should be extremely sorry to be ...
Chrysander, Friedrich/G.F. Händel/1. Band/2. Buch. Die große Wanderung/2. Erste Reise nach London [Musik]
2. Erste Reise nach London. Nach übereinstimmenden Berichten langte Händel im Spätherbst des ... ... 7 » These and other qualities have raised M. Grabu to a degree above any man who shall pretend to be his rival on our Stage. « King ...
Ramann, Lina/Franz Liszt/Zweiter Band/Erste Abtheilung/Drittes Buch/5. London. Am Rhein. Hamburg. 1840 [Musik]
... er sagt: »we have never heard any one, more instinct with the feeling of time than M. Liszt ... ... , seine Vorträge von Enthusiasmus getragen. » We cannot call to mind any other artist, referirt Chorley nach Liszt's zweitem Piano- ...
Nissen, Georg Nikolaus von/Biographie W.A. Mozart's/3. Reise ausser Deutschland nach Paris, London, Holland [Musik]
... from some of the German musicians resident in London, but could never receive any further information than that he was born near Saltzbourg, till I was ... ... him up for a week, during which he was not permitted to see any one and was left only with music-paper, and the ...
Ramann, Lina/Franz Liszt/Zweiter Band/Erste Abtheilung/Drittes Buch/8. London. Hamburg. Kopenhagen. 1841./3. [Musik]
III. Liszt's Beschreibung der Kopenhagener Eindrücke. Christian ... ... . Hence arose criticisms of a wider discrepancy than we remember in the case of any other artist. Of the result we had no doubt; we were sure that ...
Chrysander, Friedrich/G.F. Händel/2. Band/3. Buch. Zwanzig Jahre bei der italienischen Oper in London/5. Zwei italienische Operntheater [Musik]
... deserves. There is no certainty of any Scheme for next Season, but it is probable that something or other ... ... for several winters with great applause, but did not sing this season on any Stage, on account of her indisposition. « The Bee v. 19 ...
Weber, Max Maria von/Carl Maria von Weber/2. Band/3. Abtheilung/26. Abschnitt/Feststellung der Bedingungen über die Leistungen in England [Musik]
Feststellung der Bedingungen über die Leistungen in England Anfang October hatte ihn ... ... Gr. Britain which receives the Oberon from you, to sell it no further to any theatre or music shop in Europe . 4., You will be pleased ...
Chrysander, Friedrich/G.F. Händel/2. Band/3. Buch. Zwanzig Jahre bei der italienischen Oper in London/1. Goldne Zeiten. Geschichte der Akademie [Musik]
... to the musick under the Italian, which was never done before in any other Opera; also the whole Opera of Julius Caesar in score, and ... ... combats, I have spent my day; Swiss-like, I fought on any side for pay. But now I ...
Burney, Charles/Tagebuch einer musikalischen Reise/Tagebuch einer Musikalischen Reise durch Böhmen, Sachsen, Brandenburg, Hamburg und Holland/Berlin [2] [Musik]
Berlin. Den Abend nach meiner Zurückkunft in dieser Stadt; den 3ten ... ... that shall write ex tempore voluntaries, or other pieces of music, as fast a any master shall be able to play them, upon an Organ, harpsicord, etc. ...
Chrysander, Friedrich/G.F. Händel/2. Band/3. Buch. Zwanzig Jahre bei der italienischen Oper in London/6. Cäcilienoden. Begräbnißanthem für Königin Caroline [Musik]
... the nation; and which no man can add to, or abridge, in any thing material, without injuring it: I therefore confin'd myself to a ... ... being persuaded, that it is next to an improbability, to offer the world any thing in those arts more perfect, than the united labours ...
Buchempfehlung
Weiße, Christian Felix
Atreus und Thyest. Ein Trauerspiel in fünf Aufzügen
Die Brüder Atreus und Thyest töten ihren Halbbruder Chrysippos und lassen im Streit um den Thron von Mykene keine Intrige aus. Weißes Trauerspiel aus der griechischen Mythologie ist 1765 neben der Tragödie »Die Befreiung von Theben« das erste deutschsprachige Drama in fünfhebigen Jamben.
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